Aldo Bakker – Gert Staal

Every convention – whether it concerns artistic legacy, beauty or plain purpose – needs to be challenged. And every creation is an exploration of the senses. From early on in his career Aldo Bakker (NL, 1971) has produced works in which his exquisite use of shape, material and colour is balanced with an almost disturbing tenacity in the way these pitchers, bowls, spoons, stools and tables defy everyday perceptions about the relationship between man and object. Or more precisely: the relationship between object and man. Because despite their tranquil appearance and the modesty of their monochrome skins, Bakker’s objects are anything but submissive. They determine the rules of the interaction. Those who handle or merely observe them should come to terms with the inherent independence of these creatures. Their sensuous presence makes them highly seductive, but also hard to get. A bowl, a bench, a flask: all these ‘objects fatales’ could be (mis)taken for just being dead gorgeous and desirable, where in fact they undermine fixed notions about the object as a commodity.

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